Directors’ Fortnight Selection 2022

L’ENVOL (Scarlet) by Pietro Marcello Opening film (France-Italy)
1976 by Manuela Martelli * (Chile – Italy)
THE DAM (Al-Sadd, السّد , Le Barrage) by Ali Cherri * (France – Sudan – Qatar – Germany)
LES ANNÉES SUPER 8 (The Super 8 Years) by Annie Ernaux & David Ernaux-Briot * (France)
ASHKAL by Youssef Chebbi * (Tunisia – France)
LES CINQ DIABLES (The Five Devils) by Léa Mysius (France)
DE HUMANI CORPORIS FABRICA by Véréna Paravel & Lucien Castaing-Taylor (France – US)
LA DÉRIVE DES CONTINENTS (AU SUD) (Continental Drift (South)) by Lionel Baier (Switzerland)
EL AGUA (The Water) by Elena López Riera * (Spain)
ENYS MEN by Mark Jenkin (UK)
FALCON LAKE by Charlotte Le Bon * (Canada – France)
FOGO-FÁTUO (Will-o’-the-Wisp, Feu follet) by João Pedro Rodrigues (Portugal)
FUNNY PAGES by Owen Kline * (US)
GOD’S CREATURES by Anna Rose Holmer & Saela Davis (Ireland – UK)
LES HARKIS (Harkis) by Philippe Faucon (France)
MEN by Alex Garland Special screnning (US – UK)
LA MONTAGNE (The Mountain) by Thomas Salvador (France)
PAMFIR by Dmytro Sukholytkyy-Sobchuk * (Ukraine – France)
REVOIR PARIS (Paris Memories) by Alice Winocour (France)
TAHT ALSHAJRA (تحت الشجرة , Under the Fig Trees, Sous les figues) by Erige Sehiri (Tunisia – France – Switzerland)
UN BEAU MATIN (One Fine Morning) by Mia Hansen-Løve (France)
UN VARÓN (A Male) by Fabian Hernández * (Colombia – France – Netherlands – Germany)
LE PARFUM VERT (The Green Perfume) by Nicolas Pariser Closing film (France)